Foreword
Alan Dundes ix
Acknowledgments xi
Introduction xiii
1. The Origins of Folk Music, Past and Present 1
2. Folk Music and Oral Tradition 14
3. Classification: The Discursive Boundaries of Folk Music 33
4. The Social Basis of Folk Music: A Sense of Community, a Sense of Place 52
5. The Folk Musician 69
6. Folk Music in Non-Western Cultures 87
7. Folk Music and Canon-Formation: The Creative Dialectic between Text and
Context 104
8. Folk Music in the Modern World 121
Bibliography 141
Index 153
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