圖書標籤: 寫作 非虛構 Writing JohnMcPhee 英語 NONFICTION 美國 英文原版
发表于2024-07-20
Draft No. 4 pdf epub mobi txt 電子書 下載 2024
Draft No. 4 is a master class on the writer’s craft. In a series of playful, expertly wrought essays, John McPhee shares insights he has gathered over his career and has refined while teaching at Princeton University, where he has nurtured some of the most esteemed writers of recent decades. McPhee offers definitive guidance in the decisions regarding arrangement, diction, and tone that shape nonfiction pieces, and he presents extracts from his work, subjecting them to wry scrutiny. In one essay, he considers the delicate art of getting sources to tell you what they might not otherwise reveal. In another, he discusses how to use flashback to place a bear encounter in a travel narrative, while observing that “readers are not supposed to notice the structure. It is meant to be about as visible as someone’s bones.” The result is a vivid depiction of the writing process, from reporting to drafting to revising―and revising, and revising.
John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with the New Yorker, where he has been a staff writer since 1965. The same year he published his first book, A Sense of Where You Are, with FSG, and soon followed with The Headmaster (1966), Oranges (1967), The Pine Barrens (1968), A Roomful of Hovings and Other Profiles (collection, 1968), Levels of the Game (1968), The Crofter and the Laird (1970), Encounters with the Archdruid (1971), The Deltoid Pumpkin Seed (1973), The Curve of Binding Energy (1974), Pieces of the Frame (collection, 1975), and The Survival of the Bark Canoe (1975). Both Encounters with the Archdruid and The Curve of Binding Energy were nominated for National Book Awards. Selections from these books make up The John McPhee Reader (1976).
Since 1977, the year in which McPhee received the Award in Literature from the American Academy of Arts and Letters and the bestselling Coming into the Country appeared in print, Farrar, Straus and Giroux has published Giving Good Weight (collection, 1979), Basin and Range (1981), In Suspect Terrain (1983), La Place de la Concorde Suisse (1984), Table of Contents (collection, 1985), Rising from the Plains (1986), Heirs of General Practice (in a paperback edition, 1986), The Control of Nature (1989), Looking for a Ship (1990), Assembling California (1993), The Ransom of Russian Art (1994), The Second John McPhee Reader (1996), Irons in the Fire (collection, 1997), Annals of the Former World (1998). Annals of the Former World, McPhee’s tetralogy on geology, was published in a single volume in 1998 and was awarded the Pulitzer Prize in 1999. The Founding Fish was published in 2002.
新新聞主義的非虛構,是嚮文學性的努力,哪怕事件/人物不再流行甚至沒有新聞意義瞭,這篇文章依然作為“作品”有讀的價值;天朝的非虛構是蹭熱點聳人聽聞搞個大新聞,究其原因嘛,中國人真的太聰明瞭。McPhee改到第三稿草稿的時候會為瞭一個更好的詞一個一個去查字典,這種笨事兒,誰做哦。#這書挺好玩的各種八卦吐槽不管咖位多大想槽就槽
評分一冊小書竟然看瞭整整一年半,真是拖延癥哈哈。內容還是挺有意思的,隻是彆抱著太強的目的去讀就好瞭。
評分新新聞主義的非虛構,是嚮文學性的努力,哪怕事件/人物不再流行甚至沒有新聞意義瞭,這篇文章依然作為“作品”有讀的價值;天朝的非虛構是蹭熱點聳人聽聞搞個大新聞,究其原因嘛,中國人真的太聰明瞭。McPhee改到第三稿草稿的時候會為瞭一個更好的詞一個一個去查字典,這種笨事兒,誰做哦。#這書挺好玩的各種八卦吐槽不管咖位多大想槽就槽
評分為最前麵兩個章節打4????。就如John Mcphee自己說的,後麵幾張的points of references很多我都get不到,看的稍稍有點吃力。是一本會再翻閱的書。
評分紐約客的文章骨子裏都是先起個調調然後再說正緊事兒,畢竟"the name of the subject shall not be the title."; 作者的難得之處在於不但是一個好的非虛構作傢,更是一個好的老師。
✨把写作定义为一种“手艺”是再准确不过的了,因为写作这事儿,不仅源自于可遇不可求的创作灵气,更要求写作者日积月累的实践与训练,需要不断精进、不断锤炼,需要如匠人一般精心雕琢,是一场身与心的长途跋涉。看完约翰·麦克菲的这本《写作这门手艺》更是深觉如此。 ✨...
評分 評分何伟曾经提到,在普林斯顿上的非虚构写作课是他从虚构写作转向非虚构写作的一个重要契机,而那门课的老师正是这本书的作者 John McPhee。John McPhee 在美国非虚构写作界算是一个大名鼎鼎的人物,他不仅培养了像何伟以及现任 The New Yorker 主编 David Reminik 这样出色的学生...
評分出于不剧透的目的,就不详细介绍书本所说内容了。 一句话简单概括之:这本书介绍了非虚构写作的准备、创作和修改过程。 作者是一位非虚构写作的大师,也有很多普利策奖得主通过他的课程得到启发,但是我依然只给这本书三颗星。 理由如下: 第一,重点不明。 真正理论性的内容比...
評分《写作这门手艺》收录了约翰·麦克菲曾刊于《纽约客》的八篇文章,主题都是有关写作过程,这就告诉了我一件事,书中关于写作的观点几乎不可能是系统性的,这不是麦克菲的大学写作课,但好在他的讲述方式足够有意思,因此会让我觉得零散中也有很多值得吸收的地方。 如果要问零散...
Draft No. 4 pdf epub mobi txt 電子書 下載 2024