An anthology of new writing that is both poetry and film studies by 11 "New Brutalist" poets, written in response to Akira Kurosawa's 1990 film Dreams. Edited with an Introduction by Michael Cross, who writes "To a certain extent, these poems are examples of our most popular contemporary art form — the remix; they rework and distill Kurosawa's originals so that certain elements are amplified, while others distort. And while these poets are painfully aware of the terrible in Kurosawa, they choose the monstrous, that irrepressible fact of our social condition.