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没读完，在国内没带过来，还剩下最后一章

A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

没读完，在国内没带过来，还剩下最后一章

A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

A friendly guide that shines insight to the understanding of character arc and some of the classic symbolism in film language. The wording is clear-cut and jargon-free, definitely worths revisiting. The only downside is that the author based his analysis almost entirely on mainstream Hollywood films so it appeared rather ‘tidy’ and formulaic.

我小时候，每天睡前一定要听故事。由于我爹花言巧语的套路比较多，这个任务落在他的身上，以平衡我妈家务做得更多的怨愤。每天我睡两场，每一场至少要听两个睡前故事，时间一长，我爹就崩溃了，他再怎么花言巧语费尽心机，能讲的故事好像，都讲完了。 终于有一天，我爹开始自己...  

我小时候，每天睡前一定要听故事。由于我爹花言巧语的套路比较多，这个任务落在他的身上，以平衡我妈家务做得更多的怨愤。每天我睡两场，每一场至少要听两个睡前故事，时间一长，我爹就崩溃了，他再怎么花言巧语费尽心机，能讲的故事好像，都讲完了。 终于有一天，我爹开始自己...