One of the distinguishing features of modern life is that it supplies countless opportunities for regarding (at a distance, through the medium of photography) horrors taking place throughout the world. Images of atrocities have become, via the little screens of the television and the computer, something of a commonplace. But are viewers inured -- or incited -- to violence by the depiction of cruelty? Is the viewer's perception of reality eroded by the daily barrage of such images? What does it mean to care about the sufferings of people in faraway zones of conflict?

Susan Sontag's now classic book On Photography defined the terms of this debate twenty-five years ago. Her new book is a profound rethinking of the intersection of "news" art, and understanding in the contemporary depiction of war and disaster. She makes a fresh appraisal of the arguments about how pictures can inspire dissent, foster violence, or create apathy, evoking a long history of the representation of the pain of others . . .

http://www.susansontag.com/regardingpain.htm

read an excerpt

http://www.susansontag.com/regardingpainexcerpt.htm

苏珊·桑塔格（1933～2004年），她生于美国纽约，毕业于芝加哥大学。1993年当选为美国文学艺术学院院士。她是当前美国声名卓著的“新知识分子”，和西蒙·波伏娃、汉娜·阿伦特被并称为西方当代最重要的女知识分子，被誉为“美国公众的良心”。2000年获美国国家图书奖、2001年获耶路撒冷国际文学奖，并获得2003年度德国图书大奖——德国书业和平奖。