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图书标签: 日本  ★  日本文学  鬼怒鸣门  谷崎润一郎  美国  欧美日本学  日本研究   

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喜欢 Five Modern Japanese Novelists 的读者还喜欢

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Keene曾经有一次说过，日本是他的爱人。他研究日本文学的角度非常本土化，这可能与他和日本作家的充分接触有关。关于川端康成的描述很可爱：He was only fifty-four, but he struck me as being very old and delicate, and photographs taken of him at the time, confirming this impression, suggest in their expression a deer frightened by a sudden flash of light. Yet I knew that he had another side.

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Keene曾经有一次说过，日本是他的爱人。他研究日本文学的角度非常本土化，这可能与他和日本作家的充分接触有关。关于川端康成的描述很可爱：He was only fifty-four, but he struck me as being very old and delicate, and photographs taken of him at the time, confirming this impression, suggest in their expression a deer frightened by a sudden flash of light. Yet I knew that he had another side.

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Keene曾经有一次说过，日本是他的爱人。他研究日本文学的角度非常本土化，这可能与他和日本作家的充分接触有关。关于川端康成的描述很可爱：He was only fifty-four, but he struck me as being very old and delicate, and photographs taken of him at the time, confirming this impression, suggest in their expression a deer frightened by a sudden flash of light. Yet I knew that he had another side.

评分☆☆☆☆☆

Keene曾经有一次说过，日本是他的爱人。他研究日本文学的角度非常本土化，这可能与他和日本作家的充分接触有关。关于川端康成的描述很可爱：He was only fifty-four, but he struck me as being very old and delicate, and photographs taken of him at the time, confirming this impression, suggest in their expression a deer frightened by a sudden flash of light. Yet I knew that he had another side.

评分☆☆☆☆☆

Keene曾经有一次说过，日本是他的爱人。他研究日本文学的角度非常本土化，这可能与他和日本作家的充分接触有关。关于川端康成的描述很可爱：He was only fifty-four, but he struck me as being very old and delicate, and photographs taken of him at the time, confirming this impression, suggest in their expression a deer frightened by a sudden flash of light. Yet I knew that he had another side.

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